What goes on tour…

English: Frauenkirche Dresden Deutsch: Frauenk...

English: Frauenkirche Dresden Deutsch: Frauenkirche Dresden (Photo credit: Wikipedia)

And we’re off! This time it’s a whistle stop tour – Hannover tomorrow night, Dresden the night after and Paris next Saturday. After Tuesday’s great performance of Britten’s War Requiem (it wasn’t just me that thinks it was good, check out what the Telegraph has to say) I am really looking forward to performing it again in different venues.

Now, while I have been known to organise the odd event at work, I balk at the logistical challenges of a tour. There are so many things that can go wrong…

One conductor caught the Eurostar by the skin of his teeth, only to discover that in his haste he was travelling on his young daughter’s passport. Cue much hilarity from the choir. Fortunately they let him back in the country.

Last year’s CBSO tour seemed like it was cursed, with striking airlines meaning that members of the orchestra were arriving right up until the advertised concert time. Which was somewhat delayed when the conductor fell ill. I’m told that Simon Halsey was a hero that night, not only entertaining the crowd by chatting to them in German, but also conducting editing highlights of whatever music the orchestra and choir could lay their hands on. Not exactly what was planned, but it’s amazing what you can do in a pinch!

So far, the mighty CBSO team seem to have solved the logistical challenges of a cancelled flight (half of us flew out this morning) and a change of soprano soloist, so fingers crossed those are the only issues we encounter this time.

The tours put on by one of my former choirs, the London Oriana, had a bit of a reputation. It’s a very, ahem, sociable choir. I realised what high standards there were when on the Eurostar out, one of the tenors produced not only all the ingredients to make cocktails, but also crushed ice to serve them with. Crushed ice! That is a level of dedication to tour drinking that I’d never seen before. Then there were the legendary after dinner forfeits on the last night. Really not for the faint hearted.

On the way back on yet another Eurostar (Eurostar passengers beware of touring choirs) unsuspecting travellers were serenaded in the buffet car with a medley of hits. Beethoven 9, Mahler 2, all the classics…

Now you may wonder if we actually fit any proper singing in. We do, honest. I’ve always enjoyed the challenge of taking a piece and creating a performance in a new space, a different acoustic, a different viewpoint. It can be fun, it can be incredibly difficult. I’ve been moved to tears in a rehearsal of remembrance music in a church in the Netherlands, the venue lending atmosphere to the music. In other acoustics, where you can’t hear the parts you usually can, and the orchestra sounds like it’s playing a mile away you can spend your time hanging on the every gesture of your conductor, hoping the sound coalesces into something wonderful for the audience.

I don’t know yet what challenges this tour will bring, musical or otherwise, but you can be sure that we will be trying to create that musical magic that makes the travelling worthwhile.

Oh yes, and there may be some socialising too. Who’s bringing the ice?

 

The CBSO and CBSO Chorus are performing Britten’s War Requiem in Hannover, Dresden, Paris and London.

 

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Can singing reconnect us?

choir

Photo: Bristol Choral Society

CBSO Chorus Director Simon Halsey gave me some food for thought as he warmed up the 900-strong crowd who turned up to sing Handel’s Messiah together at Symphony Hall last Sunday. He asked different age groups to stand up. There were teenagers to octogenarians in the room, all willing to give up half a day to sing a piece composed over 250 years ago together. And why? Partly because of the music. The Messiah is one of the most loved and frequently performed pieces of choral music (although not by the CBSO Chorus as it happens). The Hallelujah Chorus has become part of our culture. A year 8 student I was teaching this week was singing it in their Science lesson. I have no idea why, as I don’t think  it has a connection with recycling, but they were still aware of it. Although I dread to think what they would have said if I’d asked them where the music was from. Anyway. Why else? The simple experience of singing with other people. Simon talked to this scratch choir about the way that singing can create communities. As our society changes, I think that creating and maintaining communities has become a challenge. Many people feel disconnected from each other, and singing is a way to change that.

Now I move house a lot, and while a colleague’s spiritual home is a library, mine is a choir. One of the first things I do when I move to a new area is find one to join. Many of my good friends are people I’ve met at a choir rehearsal. There’s nothing like spending a few hours giggling on the back row of the sopranos to cement a friendship. But it’s more than that. There is something about a group of people singing together that creates a unique bond. However, many people will say, if asked, that they don’t sing, that they are tone deaf, that singing is not a part of their lives. I would bet that would include quite  a number of the people you will hear bellowing Bread of Heaven or Swing Low Sweet Chariot this weekend at the rugby. In reality, almost anyone can be trained to sing in pitch and in time.

Gareth Malone has been trying to prove this very point on our TV screens for the last few years. He’s tackled teenage boys, youth offenders, council estates and workplaces in an effort to prove that singing really is for everyone. And who could fail to be moved by the military wives choir, singing their hearts out while their partners were away fighting? I loved that they felt their choir really gave them a voice, a way to express how they were feeling and an outlet for their emotions as they waiting for their loved ones to come home. But I don’t think people watch these shows just because they are interested in music. They watch them for the journey from reluctant participant to confident soloist, for the emotions as people perform together for the first time, for the sense of achievement and pride. These communities were built, and they continue to develop and support people through whatever type of music they enjoy.

And it’s not just face to face communities being created. Composer and conductor Eric Whitacre has found a way to use technology to bring people together through music. Watch his inspiring TED talk about his virtual choir project to hear his discuss how, even though his singers never met, they still feel connected through the shared experience.

So for those of you whose last experience of communal singing was a school assembly, then why not try out a choir? There are hundreds of them out there, singing all types of music. You don’t need to be able to read music for all of them, and it’s not all pieces that were written 250 years ago. Give it a go. It’s like nothing else in this world.